Chronicle WCVB5 abc: New Bedford Renewal

On Thursday, September 7th, 2017 the Chronicle aired a program called New Bedford Renewal. We hope you take a few moments to enjoy the clips. City leaders and their partners have been hard at work on all fronts: Public Safety, Education, Economic Development, Community Development, Alternative Energy, and Quality of Life. We hope you enjoy the show!

New Bedford Renewal: A New Vitality

New Bedford Renewal: Port Prosperity

New Bedford Renewal: Beyond the Port

New Bedford Renewal: An Epicenter for Clean Energy

New Bedford a ‘poster child for cultural development’

National fiber art magazine’s inaugural exhibit lands in New Bedford

Contemporary fiber art is not your grandmother’s crocheted afghan.

Excellence in Fibers, an exhibition of selected works drawn from the second annual international juried print exhibition published by Fiber Art Now magazine, presents some of the most exciting and innovative work being done today in the world of contemporary fiber art.

The show, up at New Bedford Art Museum / ArtWorks! from Jan. 25 to March 19, is FAN’s first venture into presenting their print exhibition in a real-world venue.

Fiber Art Now received submissions from artists around the world in response to the call for entries. The prestigious panel of jurors were: Emily Zilber, Curator, MFA Boston; Gerhardt Knodel and Norma Minkowitz, both internationally recognized fiber artists and icons in the field of fiber; and Melissa Leventon, principal of Curatrix Group Museum Consultants and a former curator at the Fine Arts Museums of San Francisco.

Of the over 50 works in the print exhibition, 31 were selected for the show at NBAM/AW.

Excellence in Fibers runs the gamut from established artists to newcomers; from traditional age-old basket weaving techniques to digital manipulation and printing; from familiar sewing and quilt making to laser cutting techniques.

Within the broad category of fiber, the show includes weaving, sewing, applique, embroidery, basket making, sculpture, crochet, felting, screen printing, joomchi and knotting.

As part of the print exhibition, special awards were given and several of those are in this show.

Nicole Benner’s Comfort/Confine is a large work of crocheted copper wire that becomes a performance piece when donned by a wearer. Named as the Paul J. Smith Award for Excellence in Fiber winner, Benner’s work is a thought-provoking piece on the effects of chronic pain.

“In Comfort/Confine, I utilize the copper yarn as a reference to the nervous system: an aspect of my own chronic pain that can be debilitating. Here the body has defined mobility, only capable of reaching where the textile allows,” the artist stated in the exhibition issue of Fiber Art Now. Benner hails from Marshall, Missouri.

Joel Allen’s hand-wrapped, tied and knotted work Hooked on Svelte was named the winner in the installation category. A series of large mixed media pendants are suspended from the ceiling creating a fun, textured and colorful display 12 feet long by this Steamboat Springs, Colorado, artist.

At the other end of the size spectrum, at only 17 inches in height, is Massachusetts artist Lois Russel’s NZ, a little jewel of twined waxed linen thread – and winner in the Vessel Forms/Basketry category.

The Nigerian Riot Girl, by artist Jacky M. Puzey of the United Kingdom, is one of the international submissions. Employing a tour de force of fiber techniques, this winner of the Wearables Award is an intricate couture dress designed and constructed by the artist that dazzles with a complex mix of materials.

In the Wall/Floor Works category artist Heather Ujiie of Langhorne, Pennsylvania was named the winner for her textile mural consisting of five panels that together are 126 inches by 250 inches. Battle of the Sea Monsters was originally hand drawn in markers, pen and ink, then scanned at high resolution, digitally manipulated and printed on canvas. Vibrantly colored, the work is an intense mass of men, women and other creatures waging a ferocious battle on a lemon colored sea.

The complete list of artists also includes David Bacharach, Pat Hickman, Pat Burns-Wendland, Pat Busby, Anna Carlson, Deborah Corsini, Ania Gilmore, Anna Kristina Goransson, Meredith Grimsley, Henry Hallett, Patricia Kennedy-Zafred, Jean Koon, Mariko Kusumoto, Jeannet Leendertse, Dorothy McGuinness, Alicia Merrett, Elizabeth Odiorne, Kathryn Rousso, Chloe Sachs, Diane Savona, Deloss Webber and Wendy Weiss.

The opening reception for Excellence in Fibers will be held Sunday Jan. 29 from 2 to 5 p.m. Marcia Young, editor-in-chief of Fiber Art Now, along with a number of the artists, will be on hand. Workshops by well-known fiber artists Elin Noble and Jeanne Flanagan will be offered in New Bedford the preceding day.

Registrations and special hotel discounts are available through Fiber Art Now.

For further information contact the Museum at 508.961.3072 or visit www.NewBedfordArt.org.

New Bedford Art Museum/ArtWorks! is located at 608 Pleasant Street, New Bedford. Gallery hours are Wednesday through Sunday noon to 5 p.m.; open every Thursday until 9 p.m.

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New Bedford named state’s most creative community

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New Bedford has been named the most creative community in the state by the Massachusetts Cultural Council.

The council honored New Bedford with a 2017 Commonwealth Award for “providing sustained leadership, funding, and infrastructure to the places where art and culture are presented, and where artists live and work, providing a model for cities everywhere.” Given every two years in several categories, the awards will be presented Feb. 15 at the Statehouse.

“I’m just so proud of New Bedford. It’s a recognition richly and well deserved,” said Lee Heald, director of AHA!, a monthly gallery night in the downtown area that focuses on art, history, and architecture. She wrote a letter nominating the city.

The city’s trajectory over the last 20 years has been “quite extraordinary,” she said, moving from a time when the downtown was virtually deserted, with only small pockets of cultural activity, to today’s vibrant mix of artists, students, cultural events, and businesses. The award doesn’t just go to the “arts and culture people,” but to the entire community for working together to remake itself, she said.

Lee credited Sen. Mark Montigny, D-New Bedford, with sparking transformative change with his work to move UMass Dartmouth’s College of Visual and Performing Arts downtown. Since it opened in a former department store in the early 2000s, the region has graduated the first generation of kids who think New Bedford is a happening place to be, and “people in New Bedford now identify with New Bedford as a changed place,” she said.

Five years ago, college students and faculty artists in New Bedford went a long way toward garnering New Bedford an even more widely recognized honor: The city was named the seventh most artistic city in America in proportion to its population, alongside the likes of San Francisco, New York, and Los Angeles, by Richard Florida of The Atlantic magazine. He and a research colleague measured cities by the number of artists relative to their population.

That award and the city’s transformation were major factors when the Massachusetts Cultural Council considered New Bedford, according to David Slatery, deputy director of the grant-making state agency.

“There’s a lot going on down there,” he said.

Slatery said the Commonwealth Awards show how arts and culture are essential to the state and its communities.

Rosemary Gill, executive director for programming and development at the Zeiterion Performing Arts Center, called the news of New Bedford’s award “wonderful.” The city’s cultural scene is a “beautiful, growing tapestry,” she said.

James Russell, president and CEO of the New Bedford Whaling Museum, said, “I’m delighted. I think it’s fantastic for the city.”

New Bedford Mayor Jon Mitchell plans to attend the awards ceremony in February. He would like to make the city even better known for the arts, he said.

Pending approval of a home-rule petition, Mitchell has established a dedicated arts development fund, fed by hotel tax receipts, that would collect about $100,000 a year to hire an arts coordinator and accelerate the arts through things like live performances and public art, he said.

Follow Jennette Barnes on Twitter @jbarnesnews.

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Open Studios on Hatch Street draw big crowd

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Hatch Street Studios held its winter Open Studios over the weekend, and it was the most well-attended one they’ve ever had, artists said.

New Bedford has been ranked the 7th most artistic city in America by Atlantic Monthly and artists said they think their art might be reaching wider audiences.

“We’ve seen a lot of new people this year,” said Pat Kellogg, who shares a studio space with her husband, Michael Hecht.

Hecht, who does drawing, paintings and prints said a customer from Boston visited the event on Saturday who had previously bought one of his pieces at a gallery in Provincetown. Hecht said he knew someone had bought the piece, but didn’t know who purchased it until Saturday.

“With any luck, word spreads from year to year and we keep expanding our audience,” Hecht said. He said they’ve been in the building since 2003.

“We’ve sold a print, a painting. I’ve sold some jewelry and some t-shirts,” Kellogg said. The t-shirts were made by Kellogg’s son who has a t-shirt company in Brooklyn, she said. He’s in grad school and couldn’t be at the event, Kellogg said.

In a studio next door, Michael Pietragalla said he’s been in the building for 16 years and “this is by far the largest audience that I’ve seen come through this building since I’ve been here.” He said he noticed the parking lot on Saturday was so full that some cars were blocked in and others had to park on the street. He said the event has been going on for the past 10 years.

He specializes in custom wooden furniture and wooden utensils. “I’ve been selling these things like crazy,” he said, pointing to the utensils such as cheese knives, spatulas, scoops and spreaders. He said they’re made from recyclable, repurposed wood.

His furniture is made from “managed, renewable forests.” He had a cushioned chair with no legs next to a short table for sale. “My furniture is influenced by the Asian culture,” Pietragalla said.

Michelle Lapointe, who’s been in the building for 10 years, had various stained glass pieces, abstract paintings and photography. She said she thought the glass work was selling best.

“It was steady all day,” she said Sunday, noting that she sold quite a few pieces. “I’ve never seen so many people come through here.”

Lapointe explained how she does her work, pointing to glass of various shapes and colors that she first cuts and then grinds to smooth the edges. Then, Lapointe uses small machines and tools to boarder the glass and connect different pieces. “It’s a process, and people sometimes don’t get the work involved,” she said.

Jayne Pallatroni said she’d been to the event before and likes it.

“It’s fun to see what’s going on in New Bedford,” she said. “It’s nice to see all the art.”

Rose Lewis was with Pallatroni and said it was her first time there. “I was just curious,” she said. She had fun talking with the artists and seeing some of the work they produced, she said.

Janice Hodson purchased a necklace from artist Lindsay Mis on the third floor.

“I’ve been here multiple years, sometimes with friends, sometimes with relatives,” Hodson said.

Sunday, she was with her 10-year-old niece Ava Travassos who said, “I was lucky today.”

Hodson said last year Travassos got an ostrich egg from artist Scott Currier after they talked about things they collect in nature. This year, she got a bird feather on top of a nest placed in a box that Hodson was holding. Travassos has to tell Currier what birds the feather relates to when she returns next year, Hodson said. She also got a necklace from Mis.

“People are very generous with their time and talking about what they do,” Hodson said.

Follow Aimee Chiavaroli on Twitter @AimeeC_SCT.

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