Watch the 5 minute video below!
Watch the 5 minute video below!
Downtown is well on its way to getting a noticeable addition.
A proposal to build a five-story, $15 million to $17 million mixed commercial and residential building at the corner of Union and North Second Streets has received the necessary permits from the Planning Board, the Zoning Board of Appeals, and the Historical Commission, according to City Planner Tabitha Harkin.
“It’s a project we support because it adds residential density to the downtown, will add some retail space on the ground floor, and it has an architecturally appealing design,” said Mayor Jon Mitchell. “It remains to be seen whether the developer can finance the project, but it’s certainly one that we support because it fits with what we’re trying to do along the Union Street corner.”
Constructing the proposed 42,650-square-foot building would require the demolition of several single-story buildings currently located at the site on the corner of Union and North Second streets. The demolition permit still needs to be approved, said Harkin.
“All the one-story buildings on the property are just old retail buildings; they have no historical significance to them and they are in very poor condition,” said Michael Galasso, executive director of the New Bedford Development Corporation and the project’s developer.
The five-story building constructed in their place would have 42 residential rental units with a cafe/restaurant and coworking space on the ground floor, according to Galasso.
The residential units will include microunits, studios, and one- and two-bedroom apartments, said Galasso, and five of them will be completely handicap-accessible.
“This project is intended to provide housing for the downtown workforce, that is our main market,” explained Galasso, “We see that as a growing market.”
One of the reasons the market is growing, said Galasso, is because more office space is being leased downtown and the offshore wind industry will be bringing in new workers.
The rates for rent have not yet been decided, but Galasso said a portion of the building is going to be affordable housing and the rest will be market-rate.
When reached for comment about the project in her ward, Councilor Dana Rebeiro said, “I’m interested to see if the affordable housing is forever or just for the first three years and what they consider ‘affordable.’”
In addition to the affordability of the housing, Galasso has to consider how the building will fit in with the historic nature of the city’s downtown.
Galasso said the brick facade, the size of the windows, the scale of the building, and material they plan to use are all in keeping with the downtown aesthetic.
“We wanted a building that had some modern feel to it, but was done in a very historic way,” he said.
The modern aspects of the building will include a contemporary design of the interior with a community kitchen and patio overlooking the harbor on the fifth floor, said Galasso, and microunits that are fully furnished with high-end amenities (including kitchenettes).
The design is also meant to encourage people walking by the building to come inside.
“It’s very important that the first floor is very transparent so people that are walking by would get excited and want to come in whether it’s the lobby area or restaurant,” Galasso said.
He referenced the Seaport District in Boston as inspiration for the design, that also includes outdoor seating for its cafe.
Another proposed modern aspect of the building is resident access to a shared electric vehicle and a bike-sharing program, said Galasso.
The current plan only includes the construction of one handicapped parking space, even though a residential building this size would normally require a total of 106 parking spaces.
The proposal received a special grant for reduction in parking, according to Harkin, because “there’s ample parking downtown” with the parking garages.
Rebeiro said she is also concerned about the effect of adding people in what she described as an already dense area, but she did say she likes the car and bike sharing ideas.
“I think it takes away from the problem of too many cars parking downtown,” said Rebeiro.
Mitchell said he doesn’t think parking will be a problem for residents, “The city in the weeks ahead will announce a new parking study that will really pave the way for better parking management in the long run, that will emphasize the use of the garages.”
Going forward the developer has to close the purchase of the properties on Union and North Second streets, which he said he expects to do by the end of this week, and look for financing for the project.
Galasso said the project includes redeveloping the Moby Dick building next door into 8 studio apartments and a restaurant. He still needs to go through the permitting process for that part of the plan.
Once the project is financed through a “combination of conventional financing using some tax credits and funds from the city and from the state,” which Galasso said will take six months, construction on the new building will begin.
Galasso said they’re aiming to complete construction by the end of 2020/early 2021.
“This is potentially a real catalyst for downtown to create millennial focused-housing… and activate a street corner that has been inactive for a long time,” said Harkin.
“We really wanted to set the mark high for future development in downtown and I think we’ve really achieved that,” he said.
Follow Kiernan Dunlop on Twitter @KiernanD_SCT
Original story here.
By Catherine Carter / Contributing Writer
Does your dog dream? If so, you can guess what fills his slumber — tasty snacks, fun toys, a snazzy bandana and a comfortable harness.
Now there’s a downtown location that fulfills all of these desires.
Woof Woof Pet Boutique and Biscuit Bar, located on Union Street in New Bedford, has just opened its doors to welcome you and your canine friends (leashed, please) with rack upon rack of carefully chosen treats, foods and playthings.
“We hand-pick all of our products and test them on our own dogs,” says owner and dog-lover Sherri DeChaine, who also operates a store at Woof Woof’s original location in Bristol, Rhode Island. “If a product doesn’t meet our standards, out the door it goes.”
While Woof Woof stocks a full range of stylish collars and leashes in fun fabrics like paw prints and skunks, they pride themselves on their selection of hardy, comfortable, adjustable harnesses, many with a lifetime guarantee. Customers are invited to bring their dogs in for a custom fitting.
“Everything we have is chosen for durability, fit and function,” explains DeChaine.
Many of these products are made in Massachusetts and Rhode Island, so customers can feel good about “shopping local.”
“Nothing made in China,” DeChaine emphasizes.
There are toys galore, including stuffed toys in the shape of whales and squids, pull toys in the shape of anchors and buoys, and squeak toys in the shape of pretzels and tacos.
“Some things are very fun,” says DeChaine, “but all have a function.”
Treats abound at Woof Woof. Their extensive bakery case is stocked with doggie treats in the forms of fire hydrants, baseballs and pizza slices, many frosted with dog-friendly yogurt.
The shop’s Biscuit Bar features crunchy bones in multiple flavors including bacon, cheddar, pumpkin and peanut. There are also filled bones and bully sticks.
Nutrition is prized here, with multiple lines of healthy wet and dry dog foods lining the shelves. DeChaine trains her staff carefully in canine nutrition, and the shop offers individual consultations on special diets.
“We will work with you on finding a nutrition plan,” she explains.
The streamlined shop interior reflects a six-month “full gut” renovation. A few sections are still under construction but ready soon, including a meat locker to stock raw-diet foods.
More displays hold supplements and other health supports including shampoos and insect repellents.
The shop also stocks gifts galore especially for dog lovers, such as mugs, plaques, dog bowls, and treat containers.
Feline customers have not been neglected; there is a Kitty Corner at Woof Woof, featuring toys, treats, and the same types of nutritious canned and bagged foods the store offers to dogs.
Woof Woof even goes on the road, with its custom-built Woof Wagon, a mobile version of the store that travels to such venues as food truck events and farmers’ markets. It’s also available for booking at private events.
Woof Woof’s merchandise will soon be available through their website, WoofWoofBoutique.com. Customers will be able to place orders online and pick up in the store.
DeChaine grew up in Bristol, Rhode Island. After years of corporate retail, she decided to work with animals. “That was always a dream of mine,” she said.
She became a veterinary technician, in addition to running her own dog-walking business for 14 years. In 2011, she opened Woof Woof, first in Warren, Rhode Island, and later in Bristol.
She discovered the possibilities of New Bedford when visiting a friend who owns a restaurant here. She liked the “cool vibes” of the city and decided that an expansion here “just seemed right.”
Woof Woof plans a grand-opening event over the weekend of June 22 and 23, which will include dog photos by Wiggle Butts Pet Photography.
Woof Woof Pet Boutique and Biscuit Bar is located at 255 Union Street in New Bedford. The store is open 7 days a week: Mondays through Saturdays from 10 a.m. to 6 p.m. and Sundays from 11 a.m. to 5 p.m. For more information, contact them by email at email@example.com or by phone at 774-202-7559.
By The Standard-Times
A new addition to the downtown boutique shopping scene is open at 187 Union St. Shimmer focuses on “clean and ethical beauty brands, carrying a variety of cosmetic, personal and home care products,” according to a news release.
The store is open from 10 a.m. to 5 p.m. Tuesday through Saturday.
Katherine Lowe, proprietor, has roots in the downtown community. Her first job was working in the admissions department of the New Bedford Whaling Museum, which was run by her mother for almost 20-years. “Working at the admissions desk taught me everything I know about customer service, and as the epicenter of downtown, it gave me the opportunity to learn about the downtown community,” she said in a statement.
“I’ve always known I wanted to open my own boutique downtown and the time was finally right to venture out on my own,” says Lowe.
The curated collection ranges from organic bath salts to non-toxic mascara, and from non-toxic detergent to safe and reef-friendly sunblock. Shoppers can find brands that are health-conscious and environmentally-friendly, such as Clove + Hallow, Ginger June Candle Company, Lola Jane Naturals, and The Laundress, to name a few, according to a release.
“When my family was making the switch to clean products, we found it very difficult to distinguish between what was actually safe for use and what was simply being marketed as safe. I wanted to create a place where you knew all of the brands were clean and offered a variety of products. Switching to a clean laundry detergent is just as important as switching to clean makeup or skincare.”
For more information, visit www.shopshimmerbeauty.com.
Original story here.
By Steven Froias / Contributing Writer
“The summer wind came blowin’ in from across the sea
It lingered there, to touch your hair and walk with me
All summer long we sang a song and then we strolled that golden sand
Two sweethearts and the summer wind”
– as sung by Frank Sinatra
Okay — “Summer Wind” by Ol’ Blue Eyes has little to do thematically with “Summer Winds” the kinetic outdoor public art installation coming to Custom House Square Park this July 1.
But there was simply no way State of the Arts was going to miss an opportunity to tip a fedora to the original Chairman of the Board.
The Chairman of the new Board, of DATMA — the Massachusetts Design Art and Technology Institute — is Roger Mandle. And it’s hard to imagine that he lacks any of the romance Sinatra brought to the game of life since he and his associates are introducing the wild concept of DATMA and “Summer Winds” to New Bedford and SouthCoast.
DATMA is defined as a non-collecting “museum” dedicated to large-scale, site-specific art installations. It was founded in 2016 with a diverse, 16-member board of trustees led by Mandle.
His bio states that he has 40 years of experience in building museums around the world and is a major contributor to the STEM to STEAM (Science, Technology, Engineering, Art and Math) education initiative championed by the Rhode Island School of Design (RISD), where he served as president.
If you need some context regarding what, exactly, a non-collecting “museum” dedicated to large-scale, site specific art installations actually is, you’ve come to the right place. Actually, let’s travel back to another time and place to explore the subject…
The Gates & “Summer Winds”
Back in 2005, New York City was still a little shell-shocked from the 9/11 attack on the World Trade Center. It was a city that was still licking its wounds.
In the middle of winter, from Feb. 12 through Feb. 27 of that year, public art helped facilitate some desperately needed healing in a way that most initially thought improbable or even downright ludicrous.
Just over 7,000 deep saffron-colored nylon fabric panels were hung from ‘gates’ across 23 miles of pathway in Central Park. That’s it. Just colored fabric floating gently in the breeze
The world-renowned artists Christo Yavacheff and Jeanne-Claude, known jointly as Christo and Jeanne-Claude, were behind The Gates, as the exhibit was officially called. Indeed, they had worked for decades to bring the project to Manhattan.
Kudos must be given to Michael Bloomberg, mayor at the time, for facilitating the project on behalf of the city (with the vigorous support of Deputy Mayor Patricia Harris). All billionaires aren’t created equally; some missteps aside, he was generally enlightened regarding the arts – and the value of the arts to New York City. Millions came to visit The Gates.
For everyone who experienced the grace and sense of tranquility this public art project brought to a city that really needed it — this writer included, who was living in New York at the time — The Gates will always represent a special moment in time.
The Gates alludes to the tradition of Japanese torii gates, traditionally constructed at the entrance to Shinto shrines. In 2005, people reclaimed a measure of faith … through a shared public art experience.
So, that’s the context of site-specific public art exhibition. Thankfully, many years away from 9/11, and in New Bedford, it’s a future written on the wind we’re embracing and making a shared creative space for in 2019. But like The Gates, it promises to be no less meaningful.
Silver Current Over Custom House Square Park
“Summer Winds” is a visionary project for the city, signifying a new vision of the city. Like The Gates, it will be a visual representation of a moment in time at precisely the right moment in a city’s history.
In this case, that moment is when New Bedford prepares to host the nation’s first attempt to launch a viable offshore wind energy industry. And for this moment, DATMA has recruited another world-renowned artist, Patrick Shearn.
Patrick Shearn and his outfit, Poetic Kinetics, are based out of Los Angeles. But they’ll be heading east to install “Silver Current” over Custom House Square Park this summer. In fact, Patrick has already been in New Bedford to prepare for this large-scale, outdoor public art exhibition that will bring distinction to the city.
“Silver Current” will be an 8,000-square foot kinetic net sculpture floating in the sky above the park from July 1 to Sept. 30 this year.
Press material explains that, “made out of ultra-lightweight metalized film, ‘Silver Current’ is the latest of the artist’s series of ‘Skynets’ that move and shimmer with the wind, from 15 feet off the ground to 115 feet in the air.
“The customized piece is comprised of approximately 5,200 linear feet of rope, 200 hand-tied technical knots, and approximately 50,000 streamers of holographic silver film on a monofilament net, forming an iridescent wind wave form. Harnessing available wind, the artwork rises high into the sky and gently cascades down again, undulating in a display that is striking from a distance and intimately immersive up close.”
“Silver Current” is a statement piece that will visualize the State of the Arts in New Bedford Now — and the state of the city itself. A city that’s embracing the future and unafraid to think large.
The larger “Summer Winds” collaborative effort will entwine many aspects of the city’s indigenous arts and culture. From kite flying — with a nod to New Bedford’s growing Guatemalan community, in which Festival Tipico de Guatemala is part of its heritage — to the annual Seaport Cultural District Artwalk outdoor sculpture exhibit, which this year has adopted the theme of “wind.”
And here’s the bottom line — even though it’s one that’s going to be floating above the horizon: thousands will experience this city because of all this effort. That’s the power of arts and culture; to bring a community and region together for a unique shared experience.
It happened in 2005 in Central Park. It will happen this summer in New Bedford.
And it will be a moment to seize and hold on to … before it’s gone with the wind.
Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.
By Steven Froias / Contributing Writer
If you’re thinking it had something to do with cobblestones or lamp lights, whaling or fishing, industry or the arts, you’re wrong. Well, not entirely wrong — but partially wrong.
Fifteen years ago, mediumstudio formed just a few blocks away from their current location at 38 Bethel Street, on historic Centre Street where BeJeweled is found now.
Over the course of the past 15 years, the graphic design firm has taken everything New Bedford has to offer as enumerated above and re-branded, re-packaged, and re-presented it to the world for the 21st century. Simply put, mediumstudio took design to a new professional level in New Bedford, just as the city was ready for that happen.
You can’t help but notice a certain freshness and graphic audacity in all of their work. It’s defined them from the beginning to this day. And, through countless logos, display ads, flyers, posters, website and social media images of all sorts produced on behalf of their clients, helped rebrand the city they call home.
It’s unquestionable that they burst upon the scene as the hip new kids on the block within the graphic design world in New Bedford and on SouthCoast — in their own unique way. From the beginning, the lowercase ‘m’ and ‘s’, all-one-word agency was much more than just a graphic design studio.
Founding member Keri Cox explains that out back of their first location on Centre Street was a rather famous space she simply refers to as “The Garage.”
As mediumstudio formed by day, on nights and weekends The Garage was a spot to hang out at to socialize, listen to bands, hold an art show — all manner of creative pursuits.
“Generations remember that place,” said Cox.
In those halcyon days and nights, mediumstudio was born in and of the community it would come to rebrand in the future. From Day One, community wasn’t just a place where they had set up shop — it was part of their natural business plan, and remains so to this day.
Cox has long been an important part of the 3rd EyE Unlimited leadership team. She’s also one of only two paid AHA! New Bedford staff persons, assistant to director Lee Heald.
Today at 38 Bethel Street, in a voluminous open space above the Fishing Heritage Center, 3rd EyE members still meet each and every week. The artist Nicole Winning conducts Saturday morning Colorful Yoga classes for children in the space. It’s not uncommon to attend a meeting or event at mediumstudio that has nothing to do with the work being done — but everything to do with the bigger picture that is New Bedford now.
Keri is one of four partners at mediumstudio. She mostly functions as project manager, or as she terms it, “I’m just bossy!”
The other partners are her husband, John Cox; Hannah Haines; and Frank Goncalves.
Each works on their own individual wavelength and reacts to the needs of their clients in their own way. There never has really been a business plan at mediumstudio; it’s evolved over the years and become successful in an organic way.
But it is a successful — and very busy — creative Business, with a capital ‘B’. Back in The Garage days, Kerri says a lot of work was done just for the fun of it, or to fulfill a community need. Over time the dictates of “adulting” caused them all to focus on the bottom line — just not at the expense of creative freedom.
Each of the partners has a distinct identity and client roster, yet collectively become mediumstudio. That brand is distinctive and rests on fundamental design principles that are allowed to breathe and most often built from the ground up via typography. (See a full portfolio of their work at mediumstudio.com.)
Keri Cox is the public face of the firm. As this column once wrote of her, “Very often, when you look behind an event, you find Keri Cox there. She is the glue that holds the various elements of some important happenings together. She almost effortlessly brings diverse people in the city together.”
Hannah Haines is voluble and expansive in an interview. She says that the most memorable praise she recalls a client saying was that “you could always tell mediumstudio designed something because it looked ‘thoughtful’.”
Hannah is responsible for the graphic “look” of the Zeiterion Performing Arts Center, designing its upcoming season offerings each year, for example. She says, “I’m proud to have worked closely with The Z to conceptualize their seasons for the last 14 years.”
John Cox is reticent to downright shy. He likes the work to speak for itself. It does; his graphic design is widely acknowledged as setting a new standard in the city. The dude is viewed as innately talented by anyone you speak to about him.
On the day an interview for this profile was conducted, Frank Goncalves was unavailable. It’s obvious he is a valued member of the team, however. All the others boasted that he had been with mediumstudio since he was 19, soon after he finished high school. He’s now been at the firm for about nine years.
“Where was he?” that day, Hannah, John and Keri asked one another. It didn’t matter; he and all of them have the space to create on their own time.
Maybe that’s another way mediumstudio launched as and has stayed a design firm for the times. A time in New Bedford’s history that’s also seen it gain national recognition for the creative artistic impulse that is in its DNA.
The graphic design of mediumstudio reflects that even as it is helping to brand it for the wider world.
Their client roster is a mix of non-profits and commercial clients. From AHA! and the New Bedford Folk Festival to Brick Pizzeria, Travessia Winery and Rose Alley Ale House. Plus, developers — some far beyond the city limits — and large organizations like Brigham and Woman’s Hospital.
They “bring a curiosity” to each project, Hannah says, and the reward is “we get to do what we like to do,” she concludes.
Finally, it comes down to quality of life for all the partners. Here, too, they may have helped set the tone 15 years ago for the New Bedford we have now.
A place that supports a creative quality of life and that as a community recognizes the value of artistic fulfillment and achievement.
That’s a place that looks so much better has seen through the eyes of mediumstudio.
Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.
Original story here.
By Mark Feeney GLOBE STAFF
NEW BEDFORD — The first thing to say about “Obama: An Intimate Portrait. A South Coast Look into the White House — Photographs by Pete Souza” is that it’s the clear front-runner for longest exhibition title of 2019. With 50 images on display, that works out to just over two photographs per syllable.
The show runs through June 16 at the New Bedford Art Museum. The “South Coast” part of the title comes from the fact that Souza, who served as chief White House photographer throughout the Obama administration, is a South Dartmouth native.
The second thing to say about the show is that it might be thought of most usefully as three windows.
Window number one is narrowly photographic. Metaphorically, all photographs are windows, showing us what lay before the lens when the photographer clicked the shutter. So these photographs are a window on a particular person: his character, his family, his job, his travels.
Even in the extremely unlikely event that a viewer didn’t know that this slender, intense-looking middle-aged man was once the president of the United States, he’d still be visually compelling. The camera recognizes neither name, rank, nor serial number in the favorites it plays; and the camera clearly favors Obama (even with his prominent ears and that odd upper lip).
It doesn’t hurt that Souza is an expert craftsman with an excellent eye. Before becoming chief White House photographer under Obama, he’d worked on the photography staff of the Reagan White House and as a photojournalist for the Chicago Tribune.
In the extensive and usefully informative wall text accompanying the show, Souza notes that he worked days of 10-12 hours, often six or seven a week. He accompanied Obama to all 50 states, more than 60 countries, and took nearly 2 million photographs. It sounds like both the best job in the world and the worst. It sounds not unlike the presidency that way.
There are only a few missteps in the show. A view of Obama at Rio de Janeiro’s Christ the Redeemer statue is a window, yes, only this one has stained glass. A 2011 photograph of him standing in silhouetted profile in front of the Martin Luther King Jr. Memorial in Washington, D.C., is more than a mite stagy. Conversely, one of him sitting in the bus Rosa Parks momentously rode in feels, and looks, just right.
The reason Obama was at the King Memorial and sitting on that bus — why his doing those things mattered in ways it would not have with any other president — was, of course, his race. Obama’s being the first African-American president meant that he could have done nothing for eight years and still been a historically consequential figure.
This is the second window: on history. Hung chronologically, the show gives a sense of the evolution of a presidency and offers moments of high historical drama. To see Obama letting himself be zapped by a trick-or-treating Spider-Man or making snow angels with his daughters on the South Lawn is great fun (also a real window — that word again — on character). But we also get a view out over the crowd at Obama’s first inaugural, of the crowded conference room where the president and his senior aides watched in real time the 2011 mission against Osama bin Laden, and Obama placing a note for the president-elect in the Oval Office desk on Inauguration Day 2017.
This is the third window: on today. It’s difficult not to sound partisan here, but try to set aside ideology. The human differences between Bill Clinton and George W. Bush, or between Obama and Bush, while considerable, are matters of degree not kind. Here they seem almost taxonomic. The sense of discrepancy between the man in the White House from 2009 to 2017 and the incumbent is so vast as — well, simply consider the hair photo. You know the one. Obvious comb-over jokes aside, try — come on, try — to imagine Obama’s successor letting a 5-year-old touch his hair. And that’s leaving out the whole aspect of using hair as a statement on race and possibility and aspiration.
People would often comment on Obama’s formality, how professorial he could seem. They tended to do so as an implicit criticism. There was truth to such comments, but what they missed is how Obama’s sense of correctness in personal conduct, something so notably lacking in Clinton, for example, also served to liberate him. Dignity, when innate, isn’t aloofness. It’s a version of grace, one that can be spiritual as well as physical. What one consistently sees in these photographs is someone with an overriding sense of duty: to his family, to his office, to his nation. It’s a kind of vocational decency, that vocation being moral even more than it is political.
Knowing who he was, Obama could allow himself to display a human dimension as someone whose insecurities restrict him to playing a role never can. That human dimension is evident in every single one of these photographs: the formal, eye-of-history ones no less than when he’s getting swamped by a big kahuna of a wave, in Hawaii, or dancing with his wife to Earth, Wind & Fire. True, he’s wearing a tuxedo. The look on his face sure isn’t.
Just as every bully is a coward trying to mask his cowardice, so any person uncertain of his own humanity won’t — or can’t — display humanity toward others. The man seen consoling a grievously wounded soldier and his family at Walter Reed Army Medical Center or the family of one of the children murdered at Sandy Hook is the president of the United States. He’s also a man.
There are many criticisms to be made of Obama’s politics. Some of the harshest (and dumbest) come from the left. What Souza’s photographs remind us is how little that criticism can in any justifiable way extend beyond the political to the personal. Let exhibitions by other White House photographers show how well that might be said of other presidents.
A nearby alcove has a smaller exhibit with a title nearly as long that of the Souza show, “Artifacts of Recent History: Local Objects from a Historical Presidency Collected by the New Bedford Historical Society.” There are posters, books, flags, invitations, photographs. Many come courtesy of a man named Carl J. Cruz. The standout item is a truly nifty commemorative jacket. Quilted with fabric flags and stars and photos and even a few sequins, it’s the size and cut of a varsity jacket. Instead of being from your high school, though, it’s from your country — our country. How much you want to bet it would look great on Obama, even better than that tux does?
OBAMA: AN INTIMATE PORTRAIT. A South Coast Look into the White House – Photographs by Pete Souza
At New Bedford Art Museum, 508 Pleasant St., New Bedford, through June 16.
Original story here.
By The Standard-Times
Posted Mar 5, 2019 at 12:22 PM
Updated Mar 5, 2019 at 12:22 PM
PHILADELPHIA — Jennifer Smith is returning to her roots: She’s been named the superintendent of New Bedford Whaling National Historical Park.
“Jennifer’s long history with the park and her personal connection to the New Bedford community make her a great fit for this position,” said National Park Service Northeast Region Director Gay Vietzke in a statement. “A New Bedford native, Jennifer was also one of the first park employees. During her 21 years at the park, Jennifer has demonstrated a deep passion for the park’s story and a wide range of critical skills that will serve her well in her new role.”
Smith’s first day with the National Park Service was the day of the park’s dedication on May 17, 1998, said Smith.
“I have watched the park grow into an important and vibrant part of the community. I am eager to continue to collaborate with park and community partners, including the City of New Bedford, to provide increased opportunities to access and explore the park and surrounding historic district.
“The buildings in the park are vital links to the fascinating history of New Bedford. One of my priorities will the ongoing maintenance and preservation of these structures which provide tangible and meaningful connections to the city’s multilayered past.”
Smith, who has been acting superintendent of New Bedford Whaling NHP since April 2018, started with the National Park Service in January 1998 and later became the park’s first seasonal park ranger. She has also served as the park’s chief of Visitor Services, Interpretation and Education, the site manager at Roger Williams National Memorial, and the deputy superintendent of a three-park group that included Blackstone River Valley National Historical Park, New Bedford Whaling National Historical Park, and Roger Williams National Memorial, according to a news release.
Smith has a bachelor’s degree in English literature from the University of Massachusetts Dartmouth and a master’s degree in community planning with a concentration in urban design and historic preservation from the University of Rhode Island.
Smith is an avid birder and lives in New Bedford with her husband, Christian, and their four dogs. They have three grown children and a grandchild who also live in New Bedford.
By Michael Bonner / firstname.lastname@example.org
Posted Dec 18, 2018 at 5:16 PM
NEW BEDFORD — Laughter and head nods followed each descriptive noun used to describe those assembled within the walls of the Ashley Room at City Hall on Tuesday.
The group nearly spilled out into the hallways as dozens listened to Mayor Jon Mitchell announce the city’s new Arts and Culture Plan as well as 12 “Wicked Cool Places” grants awarded to community art programs.
“I mean this in the most affectionate way, this is a motley crew,” Mitchell said. “This is great. I can just feel the creative dynamism just in your presence.”
Tony Sapienza, president of the Economic Development Council, reminisced about 13 years ago when the idea to unite the arts and culture community emerged at an EDC meeting. The term used to describe the feat of collaboration was “herding cats.”
“So I can only say that to now be a motley crew, it is a big step up from herding cats,” Sapienza said.
The 200-page plan consisted of contributions by more than 10,000 individuals, according to Margo Saulnier, the city’s cultural coordinator.
The plan includes upward of 80 goals, which Saulnier is tasked with accomplishing. Not every goal coincides with the achievement of another, which drew the monikers at the press conference by Mitchell and Sapienza.
“We’re all in the same room, and there’s no way everybody’s going to agree with everything and that’s just as well,” Mitchell said. “Because that’s where the idea exchanges come from and the creativity comes from.”
Highlights of the plan include a sense of shared purpose for everyone to create cultural districts, more fundraising and more public art. Steps in accomplishing those goals included the $50,000 in grants announced on Tuesday.
The recipients included the 3rd Eye Youth Empowerment, SuperflatNB, Reggae on West Beach Series and Kite Festivals Workshops.
“In New Bedford, the creative community is an engaged and powerful partner inspiring social , economic and cultural growth,” Saulnier said. “In this authentic seaport city, each and every person enjoys an opportunity to experience a diversity of cultures. Art is everywhere. Encouraging fun, provoking thought and nurturing the soul.”
The Arts, Culture and Tourism fun, proposed by Mitchell in 2016, approved by the City Council last year and led at the state level by state Sen. Mark Montigny, provided the finances for the completion of the plan by Webb Management Services.
“This is really top notch stuff. This was not fly by night organization,” Mitchell said. “This is something that took a lot of work and a lot of planning.”
The timeline for the goals, which include creation of creative districts, collaboration with UMass Dartmouth and Bristol County Community College, range from a year to a decade.
Certainly new goals and ideas will be added with the city acting as a the beneficiary.
“This will make the city a more vibrant place to live,” Mitchell said.
Wicked Cool Places’ grant recipients
3rd EyE Youth Empowerment, 3rd EyE Open – $10,000
Diana Arvanites, New Bedford Mobile Art Studio – $2,500
Tracy Barbosa, Kite Festival Workshops – $3,500
Co-Creative Center, Commune-n-Tea during AHA! – $2,500
Community Economic Development Center, Vacant Storefront Art Gallery – $3,500
New Bedford Fishing Heritage Center, FISHTIVAL – $2,500
New Bedford Port Authority, Seaport Art Walk – $3,000
Mia Pinheiro, Vecinos – $700
Reggae on West Beach series – $3,500
Southcoast Lessons, “Open Season” Public Music Series – $3,000
SuperflatNB – $5,300
UMASS Dartmouth, Lighting Installations – $10,000
Follow Michael Bonner on Twitter @MikeBBonnersCT.
Original story here.
By The Standard-Times
Posted Nov 26, 2018 at 12:45 PM
NEW BEDFORD — Merrill’s on the Waterfront is coming in early 2019 to the former Waterfront Grille, which was purchased by Lafrance Hospitality in June 2018.
The restaurant is in the works to re-open after renovations as Merrill’s on the Waterfront, located across from Lafrance’s Fairfield Inn & Suites by Marriott and Waypoint Event Center.
The name pays tribute to Captain Edward Merrill, who purchased the waterfront property in which Merrill’s on the Waterfront resides, in 1837. Merrill constructed the largest of seven wharves built between 1841 and 1849. The property remained in the Merrill family until 1905 but was renamed to Homer’s Wharf in 1920. The historical counting house, which Merrill built in 1847 still stands, according to a news release.
Merrill’s will provide guests a front-row seat into the country’s most valuable fishing port. Fresh, local seafood will be a staple to the dining and banquet menu, too. Merrill’s will have indoor private event space and an outdoor ceremony site that is to be designed for use for weddings next summer and fall.
“With Merrill’s on the Waterfront, Lafrance Hospitality is excited to further highlight the rich whaling history of New Bedford,” according to the news release. “You can expect to see printed history about this historic era of New Bedford along with more of Captain Merrill’s life adorning the restaurant.”