It’s time for ‘Summer Winds,’ the new art exhibition soaring into New Bedford

“The summer wind came blowin’ in from across the sea

It lingered there, to touch your hair and walk with me

All summer long we sang a song and then we strolled that golden sand

Two sweethearts and the summer wind”

– as sung by Frank Sinatra

Okay — “Summer Wind” by Ol’ Blue Eyes has little to do thematically with “Summer Winds” the kinetic outdoor public art installation coming to Custom House Square Park this July 1.

But there was simply no way State of the Arts was going to miss an opportunity to tip a fedora to the original Chairman of the Board.

The Chairman of the new Board, of DATMA — the Massachusetts Design Art and Technology Institute — is Roger Mandle. And it’s hard to imagine that he lacks any of the romance Sinatra brought to the game of life since he and his associates are introducing the wild concept of DATMA and “Summer Winds” to New Bedford and SouthCoast.

DATMA is defined as a non-collecting “museum” dedicated to large-scale, site-specific art installations. It was founded in 2016 with a diverse, 16-member board of trustees led by Mandle.

His bio states that he has 40 years of experience in building museums around the world and is a major contributor to the STEM to STEAM (Science, Technology, Engineering, Art and Math) education initiative championed by the Rhode Island School of Design (RISD), where he served as president.

If you need some context regarding what, exactly, a non-collecting “museum” dedicated to large-scale, site specific art installations actually is, you’ve come to the right place. Actually, let’s travel back to another time and place to explore the subject…

The Gates & “Summer Winds”

Back in 2005, New York City was still a little shell-shocked from the 9/11 attack on the World Trade Center. It was a city that was still licking its wounds.

In the middle of winter, from Feb. 12 through Feb. 27 of that year, public art helped facilitate some desperately needed healing in a way that most initially thought improbable or even downright ludicrous.

Just over 7,000 deep saffron-colored nylon fabric panels were hung from ‘gates’ across 23 miles of pathway in Central Park. That’s it. Just colored fabric floating gently in the breeze

The world-renowned artists Christo Yavacheff and Jeanne-Claude, known jointly as Christo and Jeanne-Claude, were behind The Gates, as the exhibit was officially called. Indeed, they had worked for decades to bring the project to Manhattan.

Kudos must be given to Michael Bloomberg, mayor at the time, for facilitating the project on behalf of the city (with the vigorous support of Deputy Mayor Patricia Harris). All billionaires aren’t created equally; some missteps aside, he was generally enlightened regarding the arts – and the value of the arts to New York City. Millions came to visit The Gates.

For everyone who experienced the grace and sense of tranquility this public art project brought to a city that really needed it — this writer included, who was living in New York at the time — The Gates will always represent a special moment in time.

The Gates alludes to the tradition of Japanese torii gates, traditionally constructed at the entrance to Shinto shrines. In 2005, people reclaimed a measure of faith … through a shared public art experience.

So, that’s the context of site-specific public art exhibition. Thankfully, many years away from 9/11, and in New Bedford, it’s a future written on the wind we’re embracing and making a shared creative space for in 2019. But like The Gates, it promises to be no less meaningful.

Silver Current Over Custom House Square Park

“Summer Winds” is a visionary project for the city, signifying a new vision of the city. Like The Gates, it will be a visual representation of a moment in time at precisely the right moment in a city’s history.

In this case, that moment is when New Bedford prepares to host the nation’s first attempt to launch a viable offshore wind energy industry. And for this moment, DATMA has recruited another world-renowned artist, Patrick Shearn.

Patrick Shearn and his outfit, Poetic Kinetics, are based out of Los Angeles. But they’ll be heading east to install “Silver Current” over Custom House Square Park this summer. In fact, Patrick has already been in New Bedford to prepare for this large-scale, outdoor public art exhibition that will bring distinction to the city.

“Silver Current” will be an 8,000-square foot kinetic net sculpture floating in the sky above the park from July 1 to Sept. 30 this year.

Press material explains that, “made out of ultra-lightweight metalized film, ‘Silver Current’ is the latest of the artist’s series of ‘Skynets’ that move and shimmer with the wind, from 15 feet off the ground to 115 feet in the air.

“The customized piece is comprised of approximately 5,200 linear feet of rope, 200 hand-tied technical knots, and approximately 50,000 streamers of holographic silver film on a monofilament net, forming an iridescent wind wave form. Harnessing available wind, the artwork rises high into the sky and gently cascades down again, undulating in a display that is striking from a distance and intimately immersive up close.”

“Silver Current” is a statement piece that will visualize the State of the Arts in New Bedford Now — and the state of the city itself. A city that’s embracing the future and unafraid to think large.

The larger “Summer Winds” collaborative effort will entwine many aspects of the city’s indigenous arts and culture. From kite flying — with a nod to New Bedford’s growing Guatemalan community, in which Festival Tipico de Guatemala is part of its heritage — to the annual Seaport Cultural District Artwalk outdoor sculpture exhibit, which this year has adopted the theme of “wind.”

And here’s the bottom line — even though it’s one that’s going to be floating above the horizon: thousands will experience this city because of all this effort. That’s the power of arts and culture; to bring a community and region together for a unique shared experience.

It happened in 2005 in Central Park. It will happen this summer in New Bedford.

And it will be a moment to seize and hold on to … before it’s gone with the wind.

Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.

BCC receives $200K for offshore wind training

Offshore wind training programs just got a boost in the SouthCoast. Vineyard Wind and the Massachusetts Clean Energy Center, on behalf of the Baker-Polito administration, announced six recipients of offshore wind workplace training grants at a news conference on Friday.

Recipients of the over $720,0000 in grants included Bristol Community College, Cape Cod Community College, Massachusetts Maritime Academy, UMass Amherst, Adult Continuing Education- Martha’s Vineyard, and Pile Drivers and Divers Local 56 trade union.

“As we prepare for the construction and installation of offshore wind projects, these grants will help establish a network of critical training programs in the Commonwealth to support local workers as they build this new frontier for American energy,” said Gov. Charlie Baker in a statement.

Speakers at the city’s Marine Commerce Terminal included politicians and representatives from MassCEC and Vineyard Wind, whose speeches all touched on their desire to make Massachusetts the epicenter of the offshore wind industry.

“This is an effort that started a while ago,” said MassCEC CEO Stephen Pike, “and the entire focus of Mass CEC over the last 10 years in terms of offshore wind is to ensure that we make New Bedford, Fall River, Somerset, and the Cape and the islands really the focal point for the industry in the United States.”

15 years of design by mediumstudio has rebranded New Bedford

If you’re thinking it had something to do with cobblestones or lamp lights, whaling or fishing, industry or the arts, you’re wrong. Well, not entirely wrong — but partially wrong.

Fifteen years ago, mediumstudio formed just a few blocks away from their current location at 38 Bethel Street, on historic Centre Street where BeJeweled is found now.

Over the course of the past 15 years, the graphic design firm has taken everything New Bedford has to offer as enumerated above and re-branded, re-packaged, and re-presented it to the world for the 21st century. Simply put, mediumstudio took design to a new professional level in New Bedford, just as the city was ready for that happen.

You can’t help but notice a certain freshness and graphic audacity in all of their work. It’s defined them from the beginning to this day. And, through countless logos, display ads, flyers, posters, website and social media images of all sorts produced on behalf of their clients, helped rebrand the city they call home.

It’s unquestionable that they burst upon the scene as the hip new kids on the block within the graphic design world in New Bedford and on SouthCoast — in their own unique way. From the beginning, the lowercase ‘m’ and ‘s’, all-one-word agency was much more than just a graphic design studio.

Founding member Keri Cox explains that out back of their first location on Centre Street was a rather famous space she simply refers to as “The Garage.”

As mediumstudio formed by day, on nights and weekends The Garage was a spot to hang out at to socialize, listen to bands, hold an art show — all manner of creative pursuits.

“Generations remember that place,” said Cox.

In those halcyon days and nights, mediumstudio was born in and of the community it would come to rebrand in the future. From Day One, community wasn’t just a place where they had set up shop — it was part of their natural business plan, and remains so to this day.

Cox has long been an important part of the 3rd EyE Unlimited leadership team. She’s also one of only two paid AHA! New Bedford staff persons, assistant to director Lee Heald.

Today at 38 Bethel Street, in a voluminous open space above the Fishing Heritage Center, 3rd EyE members still meet each and every week. The artist Nicole Winning conducts Saturday morning Colorful Yoga classes for children in the space. It’s not uncommon to attend a meeting or event at mediumstudio that has nothing to do with the work being done — but everything to do with the bigger picture that is New Bedford now.

Keri is one of four partners at mediumstudio. She mostly functions as project manager, or as she terms it, “I’m just bossy!”

The other partners are her husband, John Cox; Hannah Haines; and Frank Goncalves.

Each works on their own individual wavelength and reacts to the needs of their clients in their own way. There never has really been a business plan at mediumstudio; it’s evolved over the years and become successful in an organic way.

But it is a successful — and very busy — creative Business, with a capital ‘B’. Back in The Garage days, Kerri says a lot of work was done just for the fun of it, or to fulfill a community need. Over time the dictates of “adulting” caused them all to focus on the bottom line — just not at the expense of creative freedom.

Each of the partners has a distinct identity and client roster, yet collectively become mediumstudio. That brand is distinctive and rests on fundamental design principles that are allowed to breathe and most often built from the ground up via typography. (See a full portfolio of their work at mediumstudio.com.)

Keri Cox is the public face of the firm. As this column once wrote of her, “Very often, when you look behind an event, you find Keri Cox there. She is the glue that holds the various elements of some important happenings together. She almost effortlessly brings diverse people in the city together.”

Hannah Haines is voluble and expansive in an interview. She says that the most memorable praise she recalls a client saying was that “you could always tell mediumstudio designed something because it looked ‘thoughtful’.”

Hannah is responsible for the graphic “look” of the Zeiterion Performing Arts Center, designing its upcoming season offerings each year, for example. She says, “I’m proud to have worked closely with The Z to conceptualize their seasons for the last 14 years.”

John Cox is reticent to downright shy. He likes the work to speak for itself. It does; his graphic design is widely acknowledged as setting a new standard in the city. The dude is viewed as innately talented by anyone you speak to about him.

On the day an interview for this profile was conducted, Frank Goncalves was unavailable. It’s obvious he is a valued member of the team, however. All the others boasted that he had been with mediumstudio since he was 19, soon after he finished high school. He’s now been at the firm for about nine years.

“Where was he?” that day, Hannah, John and Keri asked one another. It didn’t matter; he and all of them have the space to create on their own time.

Maybe that’s another way mediumstudio launched as and has stayed a design firm for the times. A time in New Bedford’s history that’s also seen it gain national recognition for the creative artistic impulse that is in its DNA.

The graphic design of mediumstudio reflects that even as it is helping to brand it for the wider world.

Their client roster is a mix of non-profits and commercial clients. From AHA! and the New Bedford Folk Festival to Brick Pizzeria, Travessia Winery and Rose Alley Ale House. Plus, developers — some far beyond the city limits — and large organizations like Brigham and Woman’s Hospital.

They “bring a curiosity” to each project, Hannah says, and the reward is “we get to do what we like to do,” she concludes.

Finally, it comes down to quality of life for all the partners. Here, too, they may have helped set the tone 15 years ago for the New Bedford we have now.

A place that supports a creative quality of life and that as a community recognizes the value of artistic fulfillment and achievement.

That’s a place that looks so much better has seen through the eyes of mediumstudio.

Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.

Original story here.

SUPERFLAT NB and MassDevelopment team up to bolster community

The public mural art group SUPERFLAT NB launched last year to excitement and enthusiasm — and with grand ambitions.

As spring 2019 begins, and its first anniversary approaches in May, the group is beginning its game plan for Year Two. Far from hibernating over the winter, SUPERFLAT has been recruiting new members, enlisting more artists and laying the organizational groundwork to ensure it is a permanent feature of the New Bedford landscape.

Last weekend, the group held an open artist call for a special series of photos which will form the basis of a new project and kick off their new year.

This week, they are launching a Patronicity fundraising campaign. It’s impressive goal is $50,000 — and its impressive partner is no less than MassDevelopment.

That’s the state’s economic development and finance agency, which works with businesses, nonprofits, financial institutions, and communities to stimulate economic growth across the Commonwealth.

They will match that sum of $50,000 if SUPERFLAT can reach it within 60 days.

“In recent years, we’ve seen cities and towns across Massachusetts use public art as a tool to draw people in, activate neighborhoods, and enrich local arts and cultural communities,” MassDevelopment President and CEO Lauren Liss stated in a press release launching the campaign. “MassDevelopment looks forward to helping Superflat New Bedford achieve these goals through Commonwealth Places.”

Commonwealth Places is a collaborative initiative from MassDevelopment and Patronicity that leverages public support for placemaking projects through crowdfunding and a matching grant from MassDevelopment, the agency writes.

The program engages residents in the development of strategic projects in their towns and cities.

The Patronicity campaign can be found at Patronicity.com/superflat.

To amp up the energy over the next two months of the campaign, SUPERFLAT artists will be holding special events on the April and May AHA! nights.

During the second Thursday of the month, downtown cultural celebrations, artists will first be wheat-pasting on walls and then ‘writing’ — the street art term for creating designs — over the photos shot last weekend.

This will happen on the public art fence across from Custom House Square Park.

As they have since forming in late 2017, the SUPERFLAT team continues to meet weekly to organize, plot, promote, nurture and create the infrastructure for a robust arts organization that will stand the test of time.

Their mission statement is worth repeating:

“SUPERFLAT NB aims to eliminate barriers to the arts through public art that tells and shares personal stories; that draws upon, preserves, and reimagines our shared heritage and histories in New Bedford; and, through the renewal of the environment and our connections to each other, create new pathways for our future social and economic growth.”

SUPERFLAT went about doing that in 2018 in a strategic way. They launched on May 4, 2018 with five artists creating work outside the Co-Creative Center that was later auctioned off.

Proceeds and local funding from the New Bedford Economic Development Council allowed them to bring Cey Adams and Janette Beckman, artists with an international reputation, to the city during its first mural festival in August.

Taking place during the 3rd EyE Open, New Bedford artists were paired with over-sized prints of Beckman’s work from the dawn of hip hop and let loose to offer their own colorful spin atop her black and white memories of musical icons.

Meanwhile, Adams was charged with creating a permanent mural in Wings Court. Today, the “Love” mural has joined his other destination work in cities like New York and Philadelphia. Like that other work, “Love” is the backdrop for countless selfies — but from the Whaling City — featuring residents and visitors alike.

Other artists, like Brian Tillett, created their own new community focal points during the festival. In all, 18 local artists were enlisted to take part in the first SUPERFLAT mural contest last year. And — importantly — were paid for their efforts.

That last part isn’t only a point of pride for the team, but necessary in order for the creative impulse to economically mature in New Bedford. As Mayor Jon Mitchell said when introducing the city’s Arts & Culture Plan, “Great stuff doesn’t come free.”

One of SUPERFLAT’s goals this year is to create an artist referral network under the group’s banner. This will pair local artists with businesses or organizations seeking murals or other sorts of artwork.

“Some businesses may want to support artists by buying their work or employing their talent, but don’t know how to reach them,” says team member Kim Goddard, who handles publicity for SUPERFLAT NB. “This will give interested parties a way to connect with local artists and learn about their work,” she says.

The group is also seeking to enlarge its footprint throughout the city. In fact, with exception of the photo project and the mural festival during 3rd EyE Open, almost all other SUPERFLAT mural projects will happen on walls in places other than the downtown during 2019.

While a list of highly-visible spots were discussed at a recent meeting, it was requested that they remain under wraps until final approvals have been received. Suffice to say, they all live up to the SUPERFLAT ideal and will indeed renew the environment of neighborhoods throughout New Bedford.

Proceeds from the Patronicity.com/superflat campaign, matched by MassDevelopment if it reaches its $50,000 target by midnight on May 30, will directly fund the following:

An Artist-In-Residency Program. This will embed a recognized or emerging artist within the community to create a series of original and responsive public artworks in three distinct areas of the city — the North End, Downtown and the South End.

Ten New Murals reflecting the culture and community of New Bedford painted by local, national, and international artists in key locations throughout the North End, Downtown and South End.

And, the Artist Referral Platform connecting local artists, designers, and sign painters to gigs and employment opportunities throughout the region.

Underlying much of this is also a desire to engage youth in the city whenever possible — such as during the mural festival while 3rd EyE Open is happening.

SUPERFLAT writes on Patronicity.com/superflat, “The youth of this community is an important participant and recipient of our efforts. We endeavor to inspire them and expand their cultural point of view by connecting them to resources and opportunities.

“In 2019 we want to expand programming throughout the city, directly engaging youth and residents in the inspiration, ideation, and creation of transformative public art.”

Sounds super. Make that SUPERFLAT NB.

Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.

Mass. sets specifics for second offshore wind procurement

Posted Mar 28, 2019 at 2:51 PM

BOSTON — The Baker administration and the state’s utilities are ready to go back to market and put another offshore wind contract out to bid.

The state Department of Energy Resources (DOER) and electric distribution companies Eversource, National Grid and Unitil have filed documents with state regulators to initiate a procurement of up to 800 megawatts of offshore wind power, with the goal of executing a final contract by the end of 2019.

A 2016 law authorized up to 1,600 megawatts of offshore wind power. Vineyard Wind secured the first contract and is advancing its 800 megawatt project.

The timeframe for the next procurement, which is subject to Department of Public Utilities approval, calls for bids to be submitted in August, project selection in November and execution of a long-term contract by the end of the year, enabling the venture that secures the contract to secure federal investment tax credits.

Administration officials say they are hoping to build on the new industry’s growing supply chain and aiming to ensure job creation at the local level — the bulk of wind energy development is happening in federally leased areas south of Martha’s Vineyard, with New Bedford angling to serve as a staging center.

The 2016 renewable energy law requires bidders to come in with lower prices in the second procurement, compared to the first, but officials said they are trying to build some “flexibility” into that process because they view Vineyard Wind’s winning bid as reflective of a very competitive price.

The offshore wind industry along the Massachusetts coast has the potential to be a more significant sector than “anybody ever imagined or appreciated,” Gov. Charlie Baker said this month, once energy-storage technology is further developed and deployed in tandem with clean energy from wind turbines.

The strategic opportunities to combine offshore wind and storage to make something greater than the sum of its parts are expected to be realized in the next three to five years, the governor said, in the early days of Massachusetts getting clean power from ocean-based wind.

“Storage has the capacity to turn wind into something that’s dramatically more important and significant than just another available energy source,” Baker said in his March 6 keynote address at a forum hosted by the Environmental League of Massachusetts (ELM) in partnership with the State House News Forum.

The request for proposals (RFP) addresses energy storage, with DOER general counsel Robert Hoagland writing that storage could provide increased benefits and reduce the costs of integrating offshore wind power.

In the planned RFP, the distribution companies seek to procure at least 400 megawatts of power, but will allow proposals from 200 megawatts up to 800 megawatts.

During last year’s campaign, Baker signed an ELM pledge committing to ensure delivery of the full 1,600 megawatts of offshore wind authorized under the 2016 law — including the second 800 megawatt procurement by June — and to complete a study by May 2019 of an additional 1,600 megawatts of offshore wind power that the Legislature authorized, but did not mandate, in a 2018 law.

Original story here.

State awards New Bedford Port Authority, UMass Dartmouth combined $390K

BOSTON — The state awarded $6.4 million in grants Wednesday, including $390,000 for projects in SouthCoast for revitalization and business development.

Seaport Economic Council grants awarded include $150,000 for the creation of a regional marine science and technology collaborative to encourage growth in relevant industries at UMass Dartmouth and the SouthCoast Development Partnership and $240,000 for planning of the redevelopment of a waterfront property in New Bedford.

“This region’s historic connection to the ocean is a powerful unifying asset,” said Hugh Dunn, Executive Director of Economic Development at UMD, in a statement. “This project is designed to identify and marshal our marine economy assets to expand economic opportunity. To date, nothing of this scale has been executed on the Atlantic Coast.”

The funding will create an environment where relevant regional institutions, businesses, and universities can collaboratively develop the Southeastern Massachusetts Marine Science and Technology Corridor, according to a news release.

“I want to thank the Baker-Polito Administration for supporting UMass Dartmouth and our region as we develop our blue economy corridor from Rhode Island to Cape Cod,” said UMD Chancellor Robert E. Johnson in a statement. “In awarding this grant, the Seaport Economic Council is demonstrating the Commonwealth’s commitment to an industry sector that can transform our economy.”

SouthCoast Business Persons of the Year: New Bedford artists are serious about the business of art

Posted Jan 5, 2019 at 9:39 PM

On Tuesday, Dec. 18, 2018, New Bedford Mayor Jon Mitchell announced the release of the city’s first comprehensive Arts and Culture Plan.

“This is a big deal,” he said in opening remarks in City Hall’s Ashley Room during a press conference. He noted that the plan builds upon an historic association with the arts in the city, but helps prepare it for even greater achievements.

“It creates a sense of shared purpose,” he went on. “This creates the opportunity for a more vibrant community.” He specifically touched upon the plan’s recommendations to create new cultural districts in the North and South ends — and the chance to lure even more investment into the creative economy of the city.

The collaborative effort to write the plan, he said, sent a signal that the arts “are worthy of your investment” to funders and private businesses alike. “Great stuff doesn’t come free,” he added.

Almost a year in the drafting, the release of the plan to the public during the City Hall ceremony — attended by dozens of the artists who helped shape it — was the capstone of a milestone year for the arts in New Bedford.

MassDevelopment issues $132M bond for UMD project

MassDevelopment has issued a $132,185,000 tax-exempt bond to help build, furnish and equip a five-story, 306,900-square-foot residence hall at the University of Massachusetts Dartmouth.

The new facility, which will house approximately 1,210, mostly first-year students, will include a dining hall and space for student activities and academic support. The residence hall will replace an existing dormitory, built in the 1970s, which the university will demolish once the new facility is opened.

The bond was issued on behalf of Provident Commonwealth Education Resources II Inc., a public-private partnership, according to a news release.

PCER is a nonprofit corporation created by Provident Resources Group Inc., the University of Massachusetts Building Authority, and Greystar GEDR Development LLC. PCER will enter into a long-term ground lease with UMBA for the land on which the building will be located, and will finance, construct, own, and operate the dormitory. The university will participate in the management and operation of the dormitory through its participation on the Project Operations Committee and through its residential life programs. Once PCER’s ground lease expires, ownership will revert to UMBA for the benefit of UMD.

“Our students will benefit from these investments in quality living and learning facilities that will prepare them to succeed in a rapidly changing, highly competitive global economy,” said UMass Dartmouth Chancellor Robert E. Johnson in a statement. “When combined with our first-rate faculty, these facilities will guarantee our students the private college educational experience and public university value they so deserve.”

Hatch Street Studios: A world within a city

By Steven Froias / Contributing Writer
Posted May 31, 2018 at 3:01 AM

Alissar Najd Langworthy was at the helm of the 88-ton, 75-foot research vessel, Phoenecia for what turned out to be a four-month voyage to — and stay in — Cuba this past year.

The intense experience so changed her that when she returned to her studio at Hatch Street Studios in New Bedford’s North End, her painting took an entirely new — and stunning — abstract direction.

The smell of cedar wafts through the second floor outside Woodworker John Giacobbi’s studio. He’s storing a quantity of red cedar for future use.

But right now, he’s busy creating intricate and beautiful adornments for the historic Christmas House on Route 6A in Sandwich. After construction here in Hatch Street Studios, the woodwork will be disassembled for the trip down the highway and reassembled on site.

New Bedford residents are most likely aware of sculptor Erik Durant’s work due to his Fishermen’s Monument on the waterfront and statue of Cape Verdean leader Tom Lopes at Washington Square.

But his studio at Hatch Street is a fantastical land all its own, where Erik’s sculpting runs riot through history and mythology.

In their spaces and others throughout Hatch Street Studios, you see not only the work of its many artists and artisans, but glimpse the infinite within and without New Bedford as discerned by talent, tenacity and industry.

It’s a world within a city informed by experience and brought to life through pure imagination.

You can enter this world frequently now, thanks to a new, ongoing series of Second Saturday Open Studios events inaugurated by the Hatch Street Studios Artist Association. The first Second Saturday happened on May 12, and the next is scheduled for June 9.

All of them are free and open to the public and will feature special events in addition to the opportunity to tour the artists’ studios, chat them up, and see and buy their work.

It’s all part of a new lease on life for the venerable building, home to upwards of 50 artists and artisans on three floors and across two buildings — 88 Hatch St. and annex 90 Hatch St. — two blocks off Acushnet Avenue, with a view of the river with the same name, in the historic Nashawena Mill District of New Bedford.

Open Studios on Second Saturdays

Robert “Jack” Babb of the Hatch Street Studios Artist Association says he got the ball rolling for the Second Saturday Open Studios based on his experience attending regular open studio events at Western Avenue Studios in Lowell. He was living in New Hampshire at the time and would drive down for the events.

A chance encounter at a Yoga event in Boston brought Jack to Hatch Street.

“I met Amanda Walker, a lifetime resident of the area,” he explains. “She introduced me to the South Coast: the arts, the cultural variety, the natural beauty, the history. I was doing some glass work and interactive art in New Hampshire part-time. I moved my studio to Hatch Street because of the vibrant arts community in the area, the culture, the ocean.” And, “Easy access to Boston, Providence and New York.

Realizing that Hatch Street lacked a regular opportunity for arts patrons to meet building residents, outside of its annual Open Studios event in November, he decided to organize Second Saturdays.

The first monthly Open Studios in May featured members of the SUPERFLAT mural team and a pop-up 3rd EyE Unlimited music, dance and art jam. The second floor of Hatch Street Studios has a large, open community space to accommodate special happenings like that.

Between the special programming and the participation of most of the artists, the launch was a solid success and bodes well for future Second Saturdays.

Jack is generous with the praise for all concerned in the effort, noting Keri Cox’s organization of 3rd EyE, Destination Soup’s event kitchen, and the support of building owner Jeff Glassman.

“And, of course, Brian Tillett, Meaggsy, and Alexx Jardin who generously gave of their time and talent to create murals,” he said of the SUPERFLAT team.

Upcoming Second Saturday Open Studios will feature more special programming and themes. The aforementioned Amanda Walker is putting together a “Sun and Sea” theme for August.

“In September, Jeff Angeley is pulling together a music-themed event. In October, I am planning a Maker/Makerspace themed event,” said Jack. (Jeff Angeley is the musician behind the recent World Fiddle Day event in the building, where he maintains a studio.)

The June 9 special event will be a drawing for works of art donated by Hatch Street Artists. July is currently open, and Jack is open to collaborating with people throughout the city who may have creative ideas.

It’s why he’s been visible at community meetings, like the last Love The Ave meeting. That’s the group dedicated to extolling all things good on and around Acushnet Avenue. One of the Hatch Street Artist Association’s goals is to reach deeper into the neighborhood it shares in a diverse north end.

Keep up with events at Facebook.com/88hatchstreet.

Hatch Street Studios 2.0

Hatch Street Studios has been a fixture of the New Bedford arts scene for many years.

But a seminal event occurred in 2014 which changed the course of its history and set it firmly upon its present reinvigorated course.

That year, Jeffrey Glassman, owner of neighbor Darn it!, Inc. at 686 Belleville Avenue, bought the building — actually two. Hatch Street Studios today consists of both 88 Hatch St., the original studio building, and 90 Hatch St., which now houses smaller studios than the almost cavernous spaces found at 88.

Glassman bought Hatch Street Studios committed to retaining its integrity as an arts center. Indeed, he’s been keen on doubling down on its reputation as a destination for artists seeking studio space in the city and from throughout the region.

What’s remarkable about this is that Jeff Glassman is a businessman — and a successful one, at that. Darn It! is an apparel and general merchandise repair and inspection business that found a successful niche for itself after NAFTA. Glassman joined the family business in 1994 and has overseen its steady growth since then.

When the opportunity arose to purchase neighbor Hatch Street Studios, it was the businessman in him that made the deal. Fortunately, he’s a creative businessman with a concern for the community, who doesn’t simply want to own and manage, with his wife, Lori, an artist studio building.

He wants it, everyone in it, and the arts destination New Bedford to thrive.

There was trepidation among some of the artists when he took over the building at first, because of that businessman’s approach. In that first year, everyone in the building had to do something that previously had happened on a loose, ad hoc basis: sign leases. And, there were rent increases.

But, concurrent with those actions were improvements to the building, both in terms of infrastructure and management. And, the addition of an entirely new floor of studios, the second — with that large community space that’s now being put to good use during the Second Saturday Open Studios events. All of it has brought new energy to Hatch Street Studios.

Glassman the business owner has been aggressive in bringing attention to the art and work being produced by the residents of Hatch Street.

He’s hosted events at the building that introduced other members of the business community to the creative community, for example. He’s also invested his time in promoting the studios and people in them whenever possible at multiple venues and meetings throughout the city and region.

For New Bedford, Hatch Street Studios signifies that the creative economy has found real purchase — as an idea and as a brick and mortar cornerstone in the city.

Now open to the public every Second Saturday of the month.

Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.

Original article here.

Massachusetts Gains Foothold in Offshore Wind Power, Long Ignored in U.S.

New York Times

NEW BEDFORD, Mass. — On the waterfront of this fabled former whaling hub, the outlines of a major new industry are starting to appear.

Crews of research boats perform last-minute tuneups before heading out to map the bottom of the Atlantic Ocean. A large weather buoy decked out with gear for measuring wind speeds waits on the quay for repairs. And a 1,200-foot stretch of the port has been beefed up to bear enormous loads.

New Bedford hopes to soon be the operations center for the first major offshore wind farm in the United States, bringing billions of dollars of investment and thousands of jobs to the town and other ports on the East Coast.

On Wednesday, that effort took a major step forward as the State of Massachusetts, after holding an auction, selected a group made up of a Danish investment firm and a Spanish utility to erect giant turbines on the ocean bottom, beginning about 15 miles off Martha’s Vineyard. This initial project will generate 800 megawatts of electricity, roughly enough to power a half a million homes. At the same time, Rhode Island announced it would award a 400-megawatt offshore wind project to another bidder in the auction.

The groups must now work out the details of their contracts with the states’ utilities.

“We see this not just as a project but as the beginning of an industry,” Lars Thaaning Pedersen, the chief executive of Vineyard Wind, which was awarded the Massachusetts contract, said in an interview.

Offshore wind farms have increasingly become mainstream sources of power in Northern Europe, and are fast becoming among the cheapest sources of electricity in countries like Britain and Germany. Those power sources in those two countries already account for more than 12 gigawatts of electricity generation capacity.

But the United States has largely not followed that lead, with just one relatively small offshore wind farm built off the coast of Rhode Island. Currently, the entire country’s offshore wind capacity is just 30 megawatts.

Jeff Grybowski, chief executive of Deepwater Wind, which won the Rhode Island portion, said that together the two projects add up to a European-scale package. “This shows the U.S. is catching up rapidly to the developments in Europe,” he said.

Such projects have run into opposition here over both cost and aesthetics — utilities are typically required to opt for the cheapest sources of power, and communities have resisted plans regarded as eyesores. Senator Edward M. Kennedy helped block a wind project off the coast of Cape Cod that would have been visible from the family estate.

But the technology has the potential to bring large supplies of energy to the Northeast. Arrays of wind turbines with generation capacities comparable to major conventional power plants would be mostly out of sight, albeit within easy transmission reach of large population centers like Boston and New York City.

“We could run the whole East Coast on offshore wind,” said Amory B. Lovins, co-founder and chief scientist at the Rocky Mountain Institute, a Colorado-based nonprofit organization that advises on renewable energy.

Massachusetts is looking to capitalize. It wants to add 1,600 megawatts of electricity by 2027. That would be enough to power a third of all residential homes in the state and supply 11 percent of its overall needs. The Massachusetts Clean Energy Center, a state agency, also estimates that the projects could generate 9,850 jobs over 10 years, and add $2.1 billion to the state’s economy.

Developers say the state’s plan includes a series of projects large enough to help spawn a network of local suppliers of everything from components for the turbines to services like maintaining them, and drive down costs. Other states are pushing forward as well. Connecticut will soon name a developer for an offshore wind project of its own, while New York and New Jersey have both announced ambitious plans.

New England is particularly well suited to offshore wind farms. There is not enough land for wind turbines onshore, and the area is not ideal for solar power. At the same time, Massachusetts has been under pressure to find new sources of energy to replace aging conventional and nuclear plants, as well as meet targets for reducing greenhouse gas emissions blamed for climate change.

The state is betting that, by investing in offshore wind decades after Northern Europe first tested the technology, it can avoid some of the growing pains experienced across the Atlantic.

For years, projects there required large government subsidies to be economically viable. Recently, technical advances and plummeting prices have meant that countries like Germany and the Netherlands have been able to award offshore wind projects with zero subsidies. As a bonus, offshore wind farms have supported thousands of jobs in port cities in the region.

Two of the three bids in Massachusetts came from European developers. The winner was a joint venture of Copenhagen Infrastructure Partners, a Danish renewable energy investment firm, and a subsidiary of Iberdrola, a Spanish utility. The other bids came from a consortium led by the Danish wind giant Orsted, and Deepwater Wind, which is based in Providence, R.I., and mainly owned by D.E. Shaw, an investment firm.

“We know in light of Northern Europe’s experience with offshore wind that many U.S. ports will benefit from the arrival of the industry here,” Jon Mitchell, the New Bedford mayor, said in an interview.

New Bedford has benefited from a lucrative sector before. In the mid-19th century, its whaling industry made it one of the wealthiest cities in the United States. “Nowhere in all America will you find more patrician-like houses; parks and gardens more opulent, than in New Bedford,” Herman Melville wrote in his epic novel, “Moby-Dick.”

In the hopes of another such boost, the Massachusetts Clean Energy Center, the state agency, has already spent $113 million dredging the harbor and expanding and reinforcing a 29-acre marine commerce terminal. The state is preparing it to load the components of turbines that stretch up to 600 feet high and weigh many tons onto special vessels for installation at sea.

Whether Massachusetts can pull of its ambitious plans will depend to some degree on local issues — and not everyone in the area is enthusiastic.

In particular, some of New Bedford’s fishermen are worried. The city’s port is already home to hundreds of fishing boats, as well as seafood auction houses and processing plants. It generates about $3.3 billion a year and supports about 6,200 jobs, according to the local authorities.

“You don’t want to destroy one type of sustainable energy harvest with another one,” said Kevin Stokesbury, a professor at the School for Marine Science and Technology at the University of Massachusetts at Dartmouth.

Eric Hansen, a scallop fisherman, said that he and his colleagues were concerned about threading their way through a relatively narrow allotted path through spinning turbines.

“Think fog, heavy seas,” he said.

Even so, wind power is gaining its adherents.

Opposition to offshore wind in the state appears to have quieted since the death of Mr. Kennedy in 2009. The senator and his family successfully resisted a project off Cape Cod that would have been the first offshore wind farm in the United States, a project proposed in 2001.

The area’s high electricity prices may prove, counterintuitively, to be a plus. Power prices in Massachusetts are the second highest in the nation, behind only Hawaii’s, and high rates prevail in much of the rest of New England and in New York. As a result, customers might be more willing to pay the increased early prices for power generated by offshore wind.

The economic boost, too, is appealing, especially in a once-affluent city of 100,000 people.

Kevin McLaughlin employs more than 100 people in his shipyards across the harbor at Fairhaven, and has already won additional work from offshore operators.

“As long as there are boats that will be here,” he said, “it is business for us.”

Follow Stanley Reed and Ivan Penn on Twitter: @stanleyreed12 and @ivanlpenn.

Stanley Reed reported from New Bedford, and Ivan Penn from Los Angeles.

Original Article here.