By Steven Froias / Contributing Writer
Posted May 31, 2018 at 3:01 AM
Alissar Najd Langworthy was at the helm of the 88-ton, 75-foot research vessel, Phoenecia for what turned out to be a four-month voyage to — and stay in — Cuba this past year.
The intense experience so changed her that when she returned to her studio at Hatch Street Studios in New Bedford’s North End, her painting took an entirely new — and stunning — abstract direction.
The smell of cedar wafts through the second floor outside Woodworker John Giacobbi’s studio. He’s storing a quantity of red cedar for future use.
But right now, he’s busy creating intricate and beautiful adornments for the historic Christmas House on Route 6A in Sandwich. After construction here in Hatch Street Studios, the woodwork will be disassembled for the trip down the highway and reassembled on site.
New Bedford residents are most likely aware of sculptor Erik Durant’s work due to his Fishermen’s Monument on the waterfront and statue of Cape Verdean leader Tom Lopes at Washington Square.
But his studio at Hatch Street is a fantastical land all its own, where Erik’s sculpting runs riot through history and mythology.
In their spaces and others throughout Hatch Street Studios, you see not only the work of its many artists and artisans, but glimpse the infinite within and without New Bedford as discerned by talent, tenacity and industry.
It’s a world within a city informed by experience and brought to life through pure imagination.
You can enter this world frequently now, thanks to a new, ongoing series of Second Saturday Open Studios events inaugurated by the Hatch Street Studios Artist Association. The first Second Saturday happened on May 12, and the next is scheduled for June 9.
All of them are free and open to the public and will feature special events in addition to the opportunity to tour the artists’ studios, chat them up, and see and buy their work.
It’s all part of a new lease on life for the venerable building, home to upwards of 50 artists and artisans on three floors and across two buildings — 88 Hatch St. and annex 90 Hatch St. — two blocks off Acushnet Avenue, with a view of the river with the same name, in the historic Nashawena Mill District of New Bedford.
Open Studios on Second Saturdays
Robert “Jack” Babb of the Hatch Street Studios Artist Association says he got the ball rolling for the Second Saturday Open Studios based on his experience attending regular open studio events at Western Avenue Studios in Lowell. He was living in New Hampshire at the time and would drive down for the events.
A chance encounter at a Yoga event in Boston brought Jack to Hatch Street.
“I met Amanda Walker, a lifetime resident of the area,” he explains. “She introduced me to the South Coast: the arts, the cultural variety, the natural beauty, the history. I was doing some glass work and interactive art in New Hampshire part-time. I moved my studio to Hatch Street because of the vibrant arts community in the area, the culture, the ocean.” And, “Easy access to Boston, Providence and New York.
Realizing that Hatch Street lacked a regular opportunity for arts patrons to meet building residents, outside of its annual Open Studios event in November, he decided to organize Second Saturdays.
The first monthly Open Studios in May featured members of the SUPERFLAT mural team and a pop-up 3rd EyE Unlimited music, dance and art jam. The second floor of Hatch Street Studios has a large, open community space to accommodate special happenings like that.
Between the special programming and the participation of most of the artists, the launch was a solid success and bodes well for future Second Saturdays.
Jack is generous with the praise for all concerned in the effort, noting Keri Cox’s organization of 3rd EyE, Destination Soup’s event kitchen, and the support of building owner Jeff Glassman.
“And, of course, Brian Tillett, Meaggsy, and Alexx Jardin who generously gave of their time and talent to create murals,” he said of the SUPERFLAT team.
Upcoming Second Saturday Open Studios will feature more special programming and themes. The aforementioned Amanda Walker is putting together a “Sun and Sea” theme for August.
“In September, Jeff Angeley is pulling together a music-themed event. In October, I am planning a Maker/Makerspace themed event,” said Jack. (Jeff Angeley is the musician behind the recent World Fiddle Day event in the building, where he maintains a studio.)
The June 9 special event will be a drawing for works of art donated by Hatch Street Artists. July is currently open, and Jack is open to collaborating with people throughout the city who may have creative ideas.
It’s why he’s been visible at community meetings, like the last Love The Ave meeting. That’s the group dedicated to extolling all things good on and around Acushnet Avenue. One of the Hatch Street Artist Association’s goals is to reach deeper into the neighborhood it shares in a diverse north end.
Keep up with events at Facebook.com/88hatchstreet.
Hatch Street Studios 2.0
Hatch Street Studios has been a fixture of the New Bedford arts scene for many years.
But a seminal event occurred in 2014 which changed the course of its history and set it firmly upon its present reinvigorated course.
That year, Jeffrey Glassman, owner of neighbor Darn it!, Inc. at 686 Belleville Avenue, bought the building — actually two. Hatch Street Studios today consists of both 88 Hatch St., the original studio building, and 90 Hatch St., which now houses smaller studios than the almost cavernous spaces found at 88.
Glassman bought Hatch Street Studios committed to retaining its integrity as an arts center. Indeed, he’s been keen on doubling down on its reputation as a destination for artists seeking studio space in the city and from throughout the region.
What’s remarkable about this is that Jeff Glassman is a businessman — and a successful one, at that. Darn It! is an apparel and general merchandise repair and inspection business that found a successful niche for itself after NAFTA. Glassman joined the family business in 1994 and has overseen its steady growth since then.
When the opportunity arose to purchase neighbor Hatch Street Studios, it was the businessman in him that made the deal. Fortunately, he’s a creative businessman with a concern for the community, who doesn’t simply want to own and manage, with his wife, Lori, an artist studio building.
He wants it, everyone in it, and the arts destination New Bedford to thrive.
There was trepidation among some of the artists when he took over the building at first, because of that businessman’s approach. In that first year, everyone in the building had to do something that previously had happened on a loose, ad hoc basis: sign leases. And, there were rent increases.
But, concurrent with those actions were improvements to the building, both in terms of infrastructure and management. And, the addition of an entirely new floor of studios, the second — with that large community space that’s now being put to good use during the Second Saturday Open Studios events. All of it has brought new energy to Hatch Street Studios.
Glassman the business owner has been aggressive in bringing attention to the art and work being produced by the residents of Hatch Street.
He’s hosted events at the building that introduced other members of the business community to the creative community, for example. He’s also invested his time in promoting the studios and people in them whenever possible at multiple venues and meetings throughout the city and region.
For New Bedford, Hatch Street Studios signifies that the creative economy has found real purchase — as an idea and as a brick and mortar cornerstone in the city.
Now open to the public every Second Saturday of the month.
Steven Froias blogs for the coworking facility, Groundwork! at NewBedfordCoworking.com. Email: StevenFroias@gmail.com.
Original article here.