
New Bedford community theatre thrives after 62 years
Your Theatre, a local arts treasure, would love to have
a new home
By Jack Spillane, New Bedford Standard-Times
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Ed Maguire, left,
artistic director, and Jennifer Palmer,
executive director of Your Theatre, want to
find a new and permanent home where the
62-year-old company can return to including
experimental stage performances among its
offerings, as well as acting, directing and
set design workshops. Peter Pereira
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It's like this hidden-in-plain-sight treasure that
local theater lovers know about but the rest of Greater
New Bedford is mostly oblivious to.
Your Theatre.
Name me another New England city or town that has had a
community theater staging quality productions of serious
theater for 62 consecutive years.
But there it is in the South End, a fine-arts
performance venue that's as much a part of contemporary
New Bedford as the scallop boats and empty clothing
mills.
It's lived at the old Kenyon-Campbell School near the
infamous Weld Square; in a nondescript warehouse on
working-class Parker Street; and at the busy Maxfield/Purchase
corner where the former Swain School of Design (now the
Quest Center) sits.
Your Theatre has staged small, experimental "black box"
productions and one-woman shows. Respected actors'
workshops and powerful staged readings have taken place
under its name.
During its long history of providing quality theater on
a cheap ticket, Your Theatre has also produced
everything from an original children's play, "The Land
of the Dragon," to elaborate musical productions such as
"The Sound of Music." In the past few years, it's staged
more-than-credible productions of serious dramas such as
"Wit" and "Doubt, a Parable."
In its current incarnation at the auditorium at St.
Martin's Episcopal Church in the South End, Your Theatre
is where local attorney Ray Veary's play "Water Widow"
genuflected to sudden death in the New Bedford fishing
industry; and it's unassuming stage is where later this
year an original play named "Dr. Banner's Garden" will
be born.
"As a theater company, we are a landmark." said Jennifer
Palmer, the company's first-ever paid executive
director. "We're open year round, the only community
theater in the New Bedford area."
Yeah, but, it's truly, really a lot more than just that.
Community theater is often schoolhouse-like productions
of "My Fair Lady" and "The Odd Couple," a smorgasbord of
cliches, uneven acting and tinny musical accompaniment.
That, however, is definitely, not Your Theatre.
Ed Maguire, the company's longtime artistic director and
jack-of-all-trades, chalks up its high standards and
imagination to the powerful personality and views of its
original moving force, a woman named Mary A. Smith.
"The quality was pretty much instilled in us by our
founder," he said.
From Your Theatre's start in 1946, Smith, a classically
trained actress and speech teacher, pushed for the
highest quality, "whether or not the community demands
it."
She wanted the company to stage the best plays, with the
best actors, the best directors and best staging,
according to a recent company history by Roger Allen,
one of the troupe's members.
"Good theater can be professional theater or
nonprofessional theater, but it can never be amateur,"
Smith said at the theater's annual dinner in 1958.
Amateurism is a state of mind, she believed.
In a contemporary era in which entertainment has come to
mean two-minute videos on YouTube or text-messaging
gossip on a cell phone, Jennifer Palmer says she wants
to bring good theater to a generation more used to
virtual reality than a live stage. She plans to expand
the company's productions aimed at children — she will
direct "The Best Christmas Pageant Ever" at Gallery X
this year.
Her biggest goal, however, is to locate a new and
permanent home where the company can return to including
experimental stage performances among its offerings, as
well as acting, directing and set design workshops.
"We have a huge responsibility to provide the best we
can, to educate," she said. "And if you want to educate
and do classes and workshops, it's important to have
your own space."
Your Theatre has worked with Mayor Scott Lang's
administration on a long-range plan to find its own
space, but Palmer acknowledges it won't be easy.
The old Orpheum Theater in the South End is breathtaking
and grand but too large for community theater. And the
former Center Theater (formerly Strand) on Acushnet
Avenue in the North End might have been perfect five
years ago. But now its roof is open to the sky, Maguire
said ruefully.
They have looked at the old Capitol Theater, also on the
Avenue north of Coggeshall Street. It's the right size
for subdivision for stages, classes and storage. But it
needs a lot of work. The Bijou Theater over in Fairhaven
is a possibility, but they would rather stay in the
city.
A downtown space, at least for a satellite theater,
would also be great, but the company has yet to identify
that location either. Looking for an open lot and
building is also a possibility.
One great benefit to Your Theatre of having its own
space would be as a revenue generator.
It could then lease out the space when it isn't using
it, along the model of Gallery X, the city's successful
contemporary art gallery on William Street.
"And I think, honestly, that after 62 years, we deserve
our own space," Palmer said.
"Damn right," said Ed Maguire, who has been involved in
the theater for nearly 50 of the theater's 62 years.
Your Theatre is in better financial and organizational
shape than many of the community theaters that have come
and gone during its lifetime.
It has a subscription base of 330 (it would like to get
it to 500) and a base of volunteers, including actors,
of about 200. Maybe 30 or 40 of those volunteers are the
most active.
In recent times, they have staged five major theatrical
productions every year, along with several specialty
productions. And you can buy coupons for three shows for
a bargain of $33.
Wherever Your Theatre eventually lands, Palmer and
Maguire say it will remain the same as it's always been.
"We still hold to our standards for community theater,
to choose productions of quality, to try to bring to the
audience and to the public the chance to see things they
haven't had an opportunity to see before," Ed Maguire
said.
jspillane@s-t.com
May 24, 2009
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